您要查找的是不是:
- Their viewpoints are not accord wi th LIU Xie's formulation in On poetry of Wen Xin Diao Long. 刘勰在此处惟言“发乎情”,并没有纪昀等人所解释的“止乎礼义”之意。
- While Liu Xie "venerated Buddhism but opposed Taoism",he did not entirely negate Taoism. 刘勰虽然“崇佛抑道”,但他并没有全盘否定道教理论。
- Information control is an essential concept presented all through Liu Xie's critique "Wen Xin Diao Long". 信息控制是贯穿《文心雕龙》的实质性观念。
- Liu Xie's new understandings of Confucian hermeneutic ideas are based mainly on his positivist stylistic ideas. 所谓的“实证主义”文体论思想是刘勰对“诗言志”等儒家诗学思想进行重新理解的原因。
- However, because of the intrinsic limitation of LIU Xie's idea, he did not criticize the mistake validly. 但是,由于刘勰思想的内在局限性致使他未能真正地批其纰谬。
- Liu Xie would be no dowbt the first one to have brought the concepts in writings. 将形式、形势等观念引入文论领域之中,刘勰是当之无愧的第一人。
- Traditional research on Liu Xie's viewpoint about stylistics, without close and systematic theory, paid too much attention to the style itself. 摘要关于刘勰的文体学思想,既往研究多偏重于就文体论文体,理论系统性不是很强。
- Liu Xie's criticism of exaggerations has played an unexceptionally significant role in the rhetorical explorations of exaggerations. 摘要刘勰的夸饰论在夸饰研究史上占有特别重要的地位。
- The phenomenon of rhetoric discourse shows Liu Xie's position that he opposed prevalent view of his period with human axiology. 该篇中所存在的这种话语修辞现象,隐现出了刘勰以人文价值理性对抗的历史风尚时潮的思想立场。
- And ignored LIU Xie lived in the Six Dynasties while“ modern style" poetry pros pers after Tang Dynasty, so JI Yun's comments and explanations are unsuitable. 另外,纪昀批评刘勰《明诗》篇“四言正体,则雅润为本;五言流调,则清丽居宗”所论是“局于六朝习径,未得本原”,但他因为没有考虑到近体诗的成熟是在唐代之后,而对六朝时的刘勰有明显的苛求之嫌。
- Liu Xie spent four or five years writing Wen Xin Diao Long,checking Wen Xuan against Wen Xin Diao Long it was likely that Zhao Ming Crown prince compiled Wen Xuan all by himself. 刘勰花四、五年的“业余”时间撰成《文心雕龙》,以彼例此,昭明太子完全能够凭一己之力编纂好《文选》。
- In the meantime, this paper points out the fact that Liu Xie not mention a word about Dao Yuanming reflects his dual stands of representing mainstream culture and Buddhism. 刘勰在《文心雕龙》中对陶渊明不提只字 ,反映了他代表主流文化同时又身为佛门信徒的双重立场。
- This kind of reseda, resemble early spring just the small grass of appear and the color that just spit the Liu Xie of new bud, light, filled infinite lease of life however. 这种浅绿色,就像初春刚刚露头的小草和刚刚吐出新芽的柳叶的颜色,淡淡的,却布满了无限的生气。
- As the most fundamental aesthetic category in literary and artistic criticism, "plainness" has had an influence on such scholars as from Lu Yun to Liu Xie. “简”作为文艺批评的一个最基本的美学范畴,从陆云到刘勰无不受其影响。
- It is said that“ Wenxin Diao Long* Confidant” written by Mr Liu Xie has made an outstanding contributiion to literature appreciation history in china, which was carefully written and well-organized. 刘勰《文心雕龙*音》篇可以说是建了中国文学鉴赏论之首功,全文结构缜密,阐述有条有理,立论精确。
- "Rhythm" in "Wen Xin Diao Long" is an exploration by Liu Xie in the patterns of realizing the rhythm and harmony of poems, and also an establishment of literary criticism criteria from the perspective of formal aesthetic. 摘要《文心雕龙?声律》是刘勰对诗文创作音乐美实现的规律性探求,也是从形式美的角度确立批评标准的一个方面。
- The dialectical concept of "Tong Bian" shows Liu Xie's paradox and recognization of subjective and objective, senses and sensibilities, "discipline" and "self-discipline" on literature writing. 由“凭情以会通,负气以适变”熔铸而成的辩证和解的“通变”观,显示了刘勰对文学创作必然涉及的客观与主观、理智与情感、“他律”与“自律”等矛盾悖结而又统一和解的辩证关系的体认。
- On Liu Xie's "The Mission of Creative Writing" 刘勰的"为文之用心"
- On Liu Xie's Impression of Jianan 论刘勰的建安印象
- Aesthetic Sense of Liu Xie's Ya and Su Theory 刘勰雅俗论的美学意义