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- Mareel Duchamp 杜尚(1887-1968),法国人,画家。
- All set for the escape, then huh, DuChamp? 杜强普,它们是为了防止逃跑所设的?
- Marcel Duchamp's doings are very similar to Koan of Zend Buddhism. 杜尚的行动颇似禅宗的棒喝。
- Duchamp is what this generation of artists is all about. 这些艺术家认为什么是艺术,什么就是艺术,这也 是人们如今在特纳奖上所能感受到的。
- L.H.O.O.Q. is a mustached reproduction (1919) by Dada painter Marcel Duchamp. 即带胡须的蒙娜·丽莎是达达主义派画家杜尚于1919年加工创作而成。
- Vincent: This area has some more modern pieces, like this one by Duchamp. 乔琪雅: 我想看这个想了好多年了!我家里还有这幅画的海报呢。
- How, for example, does Marcel Duchamp relate to the Dada movement and how did Dada dissolve? 例如,马塞尔·迪尚与达达派运动是否有关,达达派如何解散?
- The fruit of one branch of the tree of Duchamp, Warhol is the consummate artist of flatland. 他是杜尚的旁枝结成的果,也是平板世界中达到极致的艺术家。
- Has Duchamp proved his point with this work that "Aesthetic delectation is the danger to be avoided"? 杜桑有没有用这个作品来证明“审美愉快乃危险也,避之唯恐不及”?
- Duchamp's"ready object"-"Spring", is a product of Dada and primogenitor of Installation, is a wonder in the art history of the world. 杜尚的“现成品”作品《泉》,是世界艺术史上的一个奇迹,它是达达的产物,也是装置的始祖。
- It is said on one website that the most excellent work of the twentieth century is Duchamp’s Urinal, I think that’s quite legitimate. 在网上刚看到二十世纪最伟大的作品是杜尚的小便池,我想这个是理所当然的。
- This will reveal Duchamp's ambiguous position with the incorporation of the spectator's reception in American Modernism. 在不断的由创作者与观众的易位过程中,策略涉入历史轨迹,终至使历史轨迹扭转或偏斜。
- Vinci era was born, until the sensation arising from Duchamp's Urinal, people began to debate what is art, what is the design. 达芬奇的时代诞生了,直到引起轰动杜尚的小便器,人们开始讨论什么是艺术,什么是设计。
- The thought trend in the work ran through his art creation and life, thus made Duchamp be the forerunner of western postmodem art. 这种作品中体现出的思想倾向最终贯穿了杜尚的艺术创作及人生,从而也使杜尚成为西方后现代艺术的始作俑者。
- Duchamp's way has been becoming a cultural heritage of contemporary art development since the beginning of last century. 自上世纪初起,杜尚的创作方法就已经成为现代艺术发展史上的文化遗产了。
- Artists have the same viewpoint as Duchamp’s: One’s life itself, in one sense, is a form of art.Therefore, no one is more important than another. 艺术家认同杜尚的观点,即认为一个人的生活在某种意义上就是艺术,这里没有谁比谁更重要。
- From (Duchamp) fixes at stools getting up bicycle wheel then on,vanguard begin frequent to raise difficult questions to the theoretician right away by artist. 自杜尚把自行车轮固定在一把凳子上起,先锋艺术家们就开始频频向理论家发难。
- But a lot of these things had a certain aesthetic distinction, whereas Duchamp was mainly interested in objects which had no aesthetic distinction whatsoever. 但是,这些东西有很多是有某种审美特点的,而杜尚主要是对没人任何审美特点的东西感兴趣。
- In theory Duchamp's idea in art is accorded with theexistence aexthetics which thinks highly of the daily life and the acceptance aesthetics whichemphasizes the readers' rights. 杜尚反传统、反神圣的艺术观念在理论上契合了重视日常生活的存在美学和强调读者权利的接受美学,在现实中体现了当代消费社会反精英意识。