The blurring of function between melody and figure in the right hand and between broken chord and contrapuntal line in op.25 no.2 is characteristic (ex.4).

• 作品25第二首的右手部分的旋律和音型，分解和弦和对位线条暧昧不清地混杂在一起，也显示出了肖邦的特点（见例四）。