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- Shape and maintain the image of China Welding Exposition. 塑造和维护中国焊接博览会的形象。
- This play is the image of contemporary urban life. 这个剧本是当代城市生活的生动写照。
- The image of the dead child's face stuck in my mind for ages. 那孩子已死去多时,我对其面容仍记忆犹新。
- The image of China depends on the mainland, and the prospects for China's development also depend on the mainland. 中国的形象如何还是要看大陆,中国的发展趋势和前途也在大陆。
- The image of China depends on the mainland,and the prospects for China's development also depend on the mainland. 中国的形象如何还是要看大陆,中国的发展趋势和前途也在大陆。
- Doping, however, tarnished the image of GDR sport. 然而,前民主德国的形象被禁药物玷污了。
- Generally speaking,we have changed the image of China,although in our efforts to build socialism we have made mistakes. 我们搞社会主义虽然犯过错误,但总的说来,改变了中国的面貌。
- That child is the image of good health. 那个小孩就是健康的化身
- The image of China has really changed since the founding of the People's Republic. 中华人民共和国建立以来,确实改变了中国的面貌。
- This entirely reflects the author's thinking pattern of hetero-topia in his molding the image of China. 这些都反映了作者构筑中国形象时采用的是异托邦思维模式。
- The placid lake reflected the image of the trees. 那平静的湖面上映着树的影像。
- He saw the image of his face in the mirror. 他在镜子里看到了他的脸。
- Generally speaking, we have changed the image of China, although in our efforts to build socialism we have made mistakes. 但总的说来,改变了中国的面貌。
- They knelt before the image of the Buddha. 他们跪拜在佛像面前。
- Description: The emblem of China's tourism is the image of a galloping stallion horse with a swallow circling its hoofs. 说明:基于中国旅游的标志为“马踏飞燕”,其东段入口圆盘处恰有“马踏飞燕”雕塑。
- The girl is the image of her mother. 这姑娘跟她妈妈一个模样。
- You are created in the image of God. 世你是按神的形象造的。
- Set on the background of dim light mixed up with whirs in cold winter, the image of the kind grandpa implies the reliable and good reputation of Ping An Of China (PAOF). 在灯泡昏黄暖光加上飕飕作响的冬风为背景下,老大爷和蔼可亲,让人联想到平安保险经过多年努力在国内外树立起的值得信赖的形象和良好的口碑。
- He is the image of someone I used to know. 他活像我从前认识的一个人。
- As an extra, the image of China embodies Japanese and European value judgement and standards, in which, there are both affirmation and animadversion, both favor and hate. 作为芥川眼中的“他者”,中国形象体现了日本和西方价值判断的标准,这种标准既有肯定也有批判,既有迷恋也有憎恶。