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union between heaven and man 天人合一
Oneness between heaven and man is not only an important philosophical proposition but also constitutes a mode of thought in Chinese philosophy. 天人合一不但是一个重要的哲学命题,而且构成了中国哲学的一种思维模式。
Both Mencius and Xun Zi had considered non-connection between heaven and man, and the unity of the Heaven and man; but they were in different degrees of actions. 孟子、荀子其实都讲天人之分，也讲天人合一，只是在具体层面上有所不同而已。
In the laws and law interpretations in ancient times in China, the statement of the legality of laws was placed in the inquiry into “relationship between heaven and man”, and in the pursuit of “being conversant with ancient and modern variations”. 中国古代在法律和法律解释中,对法律合法性的阐述被置于对“天人”之关系的追问中,及“通古今之变”的追求中。
theory of interaction between heaven and man 天人感应思想
Consistence between heaven and man 天人合一
distinction between heaven and man 天人之分
relationship between heaven and man 天人关系
induction between heaven and man 天人感应
syncretism between heaven and man 天人合一
How I wish I could choose between Heaven and Hell. 多希望我能在天堂与地狱间做选择，
On the Two Systems of "Consistence Between Heaven and Man" "天人合一"两套系统辨微
Where was he to go in this misty space between heaven and earth? 在这茫茫天地间他究竟走向什么地方去?”
The difference is not unlike between heaven and earth. 何啻天壤之别。
Glittering of Ecological Idea --Modern Thinking over Hsun Tzu's Thought of Relation between Heaven and Man 生态理念的闪光--荀子天人关系思想的现代辨析
On Formation of Oneness between Heaven and Man Mode of Thought in Perspective of Pictograph 从象形文字透视天人合一思维模式的形成
The thought of "the union of heaven and man" in the native culture will be the main theme in conducting the philosophy and social science system with Sinicism. 在这种体系中，本土文化中的“天人合一”思想必将是构建哲学社会科学体系“中国风格”的主旋律。
Significance of Laozi and Zhuangzi's "Unity between Heaven and Man" in solving the deteriorating environmental problems in the present world 老庄的"天人合一"思想对解决当今环境问题的意义
However, the metaphysical pursuit of Chinese art is based upon the premise of the union heaven and man, which leads to super?perceptional but still natural "Dao" instead of religion and theology through transcending "physical phenomena". 然而中国艺术的形上追求是以天人合一为前提的,其对"形而下"的超越并未引向宗教神学,而是引向超感性,但不离自然的"道"。
Man is, as it were, sandwiched between heaven and earth, between idealism and realism, between lofty thoughts and the baser passions. 人类好象是介于天地之间，介于理想主义和现实主义之间，介于崇高的思想和卑劣的情欲之间。